Welcome to the APME Liverpool 2025 conference. Here, you’ll be able to register for the conference and update your Sched profile. We encourage you to browse the various presentations and to create a custom schedule. If you have any questions, please visit our conference website or contact us at conference@popularmusiceducation.org We look forward to coming together as a community July 22–24, 2025!
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Despite Afrobeats’ global popularity and growing scholarly attention, it remains largely absent from higher education curricula. With King’s College London as a rare exception, this paper proposes a framework for teaching Afrobeats in global academia, identifying key sources and discourses to support its transition from pop culture to the classroom.
This research examines STEM skils, craft skills, and aesthetics in the translation of aspiring musikarbeiter (“music workers”) into networks of music technological employment and artistic practice. It discovers common experiences of aesthetic recruitment, technical interessement and acquisition of agency, and frames a suggestion for curriculum intent in terms of “skills/creativity/autonomy”.
This presentation explores "Illuminated Songs," a multimodal assignment in Taylor Swift-themed courses that engages general education majors in musical and lyrical analysis. By visually annotating songs, students explore themes, narrative structures, and musical elements. This accessible, interdisciplinary strategy fosters active listening, critical engagement, and highlights the cultural relevance of popular music in education.
This presentation explores the integration of video game music (VGM) into higher education curricula as a tool for teaching popular music. I illustrate how VGM can serve as an effective pedagogical tool for engaging students in the study of popular music history, theory, composition, and performance at the tertiary level.
How do collegiate R&B ensemble directors gain and develop their knowledge for teaching R&B music? How do these ensemble directors employ their expertise in their instructional contexts? This session will present the findings of a dissertation study that focused on the pedagogical content knowledge of three collegiate R&B music instructors.
