Welcome to the APME Liverpool 2025 conference. Here, you’ll be able to register for the conference and update your Sched profile. We encourage you to browse the various presentations and to create a custom schedule. If you have any questions, please visit our conference website or contact us at conference@popularmusiceducation.org We look forward to coming together as a community July 22–24, 2025!
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The Rural Music Project will explore the development of music ecosystems away from major city centres, utilising art school pedagogies and the concept of scenius to generate community musicking and vibrant music hubs in lesser populated locales, enriching lives through encouraging cultural interaction, economic growth and an increased sense of place.
The AIRBAG framework offers educators an approach to exploring negotiated assessment methodology with their students to help them make personlaised meaning of their learning experiences. Utilising a combination of military debrief tactics and a inquiry focussed approach, the framework helps promote criticality and agency within HE study.
This session examines essential skills for success in the modern music industry, including digital literacy, entrepreneurship, networking, and resilience. Attendees will gain practical insights into aligning with industry demands, navigating emerging trends, and preparing for diverse career pathways in an increasingly competitive and dynamic global music ecosystem.
This paper outlines the interdisciplinary approach taken in an undergraduate module in which music students to analyse visual aspects of their promotional materials and performances. Theories from disciplines including persona studies, visual studies, image studies, performance studies, audio-visual studies and fashion studies are synthesised to inform constructively critical analysis.
Popular music related materials exist in archives, museums, libraries, and private collections, providing knowledge and evidence of events, individuals, institutions, and cultures. This paper consider the role of artefacts in popular music higher education, the treatment of the curator, and collections as a tool for narrative building to be fostered through more inclusive and considered circumstances.
Metadata is the key to connecting artists with their ideal audience and unlocking lucrative sync opportunities. This demonstration will discuss its significance, how it boosts discoverability, and how it can supercharge your music career. Additionally, this session provides educational tips on teaching good metadata habits to young aspiring artists.
This paper considers the implications and impact of social media algorithm biases which – rather than serving to diversify the types of musicians represented in the mainstream – may actually serve to reinforce status quo societal and cultural norms, biases and stereotypes against female musicians, musicians outside the gender binary, fat musicians, musicians of colour, and disabled musicians.
This study analyses gender representation in the German Top 100 Charts (2014–2024), focusing on songwriters, producers, and artists. Using web scraping and a pronoun-based self-identification system supported by Chartmetric, it compares this approach to traditional methods, offering a replicable framework for tracking gender diversity in the music industry.
Songwriting camps, structured for intensive collaboration, have influenced higher education by highlighting essential creative skills. This paper, based on the Songwriting Camps in the 21st Century (SC21) project, examines how these camps teach interpersonal dynamics, adaptability, and teamwork, preparing students for professional songwriting through immersive, industry-aligned educational experiences.
This presentation explores how strategic collaboration can sustain Lancashire’s grassroots music ecosystem. Through practice-based research, we identify key challenges, propose solutions, and highlight efforts to build a talent pipeline with local education services—ensuring industry growth, stronger networks, and long-term sustainability for the region’s music sector.
