Welcome to the APME Liverpool 2025 conference. Here, you’ll be able to register for the conference and update your Sched profile. We encourage you to browse the various presentations and to create a custom schedule. If you have any questions, please visit our conference website or contact us at conference@popularmusiceducation.org We look forward to coming together as a community July 22–24, 2025!
Arranging and interpreting pop songs collaboratively, with groups of 10, 15 or 25 members, is a challenging and rewarding experience. I want to show how we can tackle these group processes by offering structure and cultivating openness. After a warm-up with participatory elements, we sing and play a pop song together. I give some input to get started, and then leave space for developing ideas. We will make the song our own by changing roles and taking artistic decisions together. Own instruments are welcome!
Classical and media composers face contrasting workflows: classical composers create polished scores for musicians, while media composers create realistic audio demos for nonmusicians. This demonstration bridges the gap, teaching composers to balance quality and efficiency by creating realistic mock-ups within notation software using sample libraries, playback engines, and DAWs.
New music technologies have created opportunities to explore science, technology, engineering and math, through the art of music. This demonstration is for teachers, students, and music technologists who are interested in connecting music with STEM. An interactive demonstration of software and hardware tools for educators and students will be provided.
This presentation explores how AI skill sets can be taught and assessed in degree-level popular music education to enhance employability. It examines effective teaching methods, assessment strategies, and real-world applications, ensuring graduates are AI-literate and industry-ready. The session will discuss best practices and future opportunities for text-generative AI in popular music education.
Terminology in vocal studies often varies, causing confusion for vocalists trying to develop their skills. This presentation highlights research on vocal pedagogy in HPME, addresses the disparities in terminology used for vocal studies and introduces the creation of a unified framework that integrates language and terminology from various existing vocal pedagogies.
